NewYearsDayProject | a song a day blog

  The Cure 's " Lovesong " peaked at number 2 on  Billboard 's Hot 100  in October of 1989.  Hit Parade 's 2019 episode " Lost and Lonely Edition ,"  detailing the British Post-Punk movement, views this unlikely pop hit as a kind of peak of the movement that continued into the early '90s.  Of course, The Cure's commercial success came after years of songs that didn't chart and even the invention of a music chart for Alternative Rock bands, at the time called  Billboard 's Modern Rock Chart.  HOWEVER FAR AWAY, I WILL ALWAYS LOVE YOU.  When  Billboard  launched the Modern Rock chart in 1988, "left of the dial" college radio stations began reporting the songs that they were playing. Some of the bands included on the predecessor to today's Alternative Airplay chart were established on other charts-- U2 ,  Elvis Costello , and  Tears for Fears  had mainstream rock and pop hits prior to charting on the Modern Rock...

In another life, we would have a light, optimistic Anberlin . This version of the band would have followed up their bright-eyed debut Blueprints for the Black Market with an upbeat pop-rock album about the gender divide, high school crushes, and traveling the world. But the band chose to go in a hard rock sound for their sophomore album, Never Take Friendship Personal , in part because of some of the conflicts the band had with guitarist Joey Bruce , whom they kicked out before the record. The hard rock album with grittier lyrics didn’t completely kill Anberlin’s pop-punk sentiments with songs like “ A Lay Late ” and “ Time and Confusion ” becoming fan favorites.   OH, THEY LOVE THESE AMERICAN BOYS. Anberlin’s third album, Cities , took an even darker tone than their sophomore record. The intense album had the pop-rock moments of “ Adelaide ” and “ Dismantle.Repair. ” But the serious tone of the album as a whole left no room for the carefree moments on the previous albums. Lead si...

The ‘90s in rock music started quietly. Hair metal was still around, but vibey New Wave tracks had gained traction in the late ‘80s. It was an eclectic time without a clear direction for a musical style. Of course that all changed in the fall of 1991 when  Nirvana  burst onto the scene and Alternative and mainstream rock listeners determined that grunge would be the collective musical trend. Just as disco didn't die in 1979, the New Romantics sound of the late ‘80s carried over into the early ‘90s. In fact, in the early ‘90s,  New Order ,  The Smiths ’  Morrisey , and  Depeche Mode  enjoyed their peak success. For Depeche Mode, that success came from a dark pop song, which crossed the Alternative Rock band over to the pop charts with the single from their seventh album  Violator , “ Enjoy the Silence .” ALL I EVER WANTED, ALL I EVER NEEDED IS HERE IN MY ARMS.  Produced by the now legendary Mark Ellis, better known as  Flood ,  Viola...

The ‘90s in rock music started quietly. Hair metal was still around, but vibey New Wave tracks had gained traction in the late ‘80s. It was an eclectic time without a clear direction for a musical style. Of course that all changed in the fall of 1991 when Nirvana burst onto the scene and Alternative and mainstream rock listeners determined that grunge would be the collective musical trend. Just as disco didn't die in 1979, the New Romantics sound of the late ‘80s carried over into the early ‘90s. In fact, in the early ‘90s, New Order , The Smiths ’ Morrisey , and Depeche Mode enjoyed their peak success. For Depeche Mode, that success came from a dark pop song, which crossed the Alternative Rock band over to the pop charts with the single from their seventh album Violator , “ Enjoy the Silence .” ALL I EVER WANTED, ALL I EVER NEEDED IS HERE IN MY ARMS. Produced by the now legendary Mark Ellis, better known as Flood , Violator was years of dark electronica in the making. Flood’s fi...