Posts

Showing posts with the label Eisley

“Invasion” by Eisley, Tuesday, August 22, 2023

Image
When Eisley began their career, they were the indie band that had the opportunity to open for Coldplay on the North American leg of A Rush of Blood to the Head tour. Soon, the band "became too big" for RadioU and Christian rock radio. The only problem is that Eisley came up at a time when every major label was trying to suck up indie talent, but the indie talent rarely made it to radio. Hence, these bands didn't keep their major label deals. YOU WON'T TAKE THE BREATH FROM THROAT. I'm sure there's a backstory to Eisley's second record, 2007's  Combinations, especially regarding lead singer Sherri DuPree-Bemis . Today, I intend to tread respectfully with the dating dynamics of the Christian-adjacent indie scene, particularly as it relates to two up-and-coming bands in 2007: Eisley and Paramore , and how they are related. Both female-fronted bands had gained acclaim both in and out of the Christian circle. In 2007, Paramore had just released their bre

“Many Funerals” by Eisley (partial repost), Tuesday, November 22, 2022 (trigger warning: discussion of a hate group and some explicit language regarding sexuality)

Image
  I've talked about Eisley , the named-for- Star-Wars  sister/cousin band from Tyler, Texas. Their major-label debut garnered indie cred, but due to some issues in the music industry, the band's label de-prioritized their sophomore release, delaying it almost a year from its recording and mastering. As for promotion, the record label pulled radio support as they weren't sure which format to market the band and canceled plans for a second music video to the band's only non-radio single " Invasions "  and never released the video for today's song, " Many Funerals ." Eisely can be added to the list of Christian-adjacent bands that were failed by major labels. Some of these groups saw initial success, whether radio, video, or touring, but ultimately they were left abandoned by the major label. Although  RadioU  plays some of their latest singles, by the end the  Room Noises   cycle, Eisley's creative path didn't have them marketed to the Chri