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Showing posts with the label Greg Kurstin

“Miracle” by Jonas Brothers, Saturday, July 27, 2024 (repost)

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  I was talking with my Gen X coworker last year about music, and somehow  Jonas Brothers  came up. He asked me, as a defender of pop, if the band of brothers had ever made a good album. I thought about the question. Of course, I can’t consider the teeny-bopper music from the band’s early days. But I  could say that  Nick Jonas ’ latest record  Spaceman   was a masterfully produced album by  Greg Kurstin  blending ‘80s and ‘90s R&B with contemporary electronic pop. I thought that the  DNCE  record was fun. I thought that “ Sucker ” was a great  Ryan Tedder  production and showed potential for where the Jonas Brothers could go, although  Happiness Begins   was a bit of a disappointment. But no, I couldn’t say that I liked any Jonas Brothers album. ROCK FOR ME TO STAND ON.  But that all changed when Jonas Brothers released  The Album   last May. But being able to call this album great comes with years of breaking down some of my musical biases and hang-ups. The first is a discussion

“Miracle” by Jonas Brothers, Sunday, May 21, 2023

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I was talking with my Gen X coworker earlier this year about music, and somehow Jonas Brothers came up. He asked me, as a defender of pop, if the band of brothers had ever made a good album. I thought about the question. Of course, I can’t consider the teeny-bopper music from the band’s early days. But I  could say that Nick Jonas ’ latest record Spaceman was a masterfully produced album by Greg Kurstin blending ‘80s and ‘90s R&B with contemporary electronic pop. I thought that the DNCE record was fun. I thought that “ Sucker ” was a great Ryan Tedder production and showed potential for where the Jonas Brothers could go, although Happiness Begins was a bit of a disappointment. But no, I couldn’t say that I liked any Jonas Brothers album. ROCK FOR ME TO STAND ON. But that all changed when Jonas Brothers released The Album last Friday. But being able to call this album great comes with years of breaking down some of my musical biases and hang-ups. The first is a discussion abo