NewYearsDayProject | a song a day blog

  In March of 2015, Sufjan Stevens  released Carrie & Lowell ,  and the album was praised by indie music journals and NPR. In May of that year, a study concluded that most of the number one hits from 2005-2014 were written on the reading level of a fifth grader.   Maybe that's the reason I don't spend too much time wrestling with finding the meaning of the text in most song lyrics. However, whenever I choose a Sufjan Stevens song, I spend quite a bit of time reading the Genius annotations, discovering hidden metaphors and symbolism that don't appear until quite a few listens. " Should Have Known Better " is the second track on the album, following his invocation of the muse in " Death with Dignity. " Stevens recalls more specific, particularly the jarring details about whe n his mother "left [him and his brother] at that video store" when he was three or four.  THE PAST IS STILL THE PAST, THE BRIDGE TO NOWHERE. As Stevens gets more speci

March 15th is the Ides of March, the day when Julius Cesar was stabbed. I realized that I didn't celebrate Casimir Pulaski Day (March 1st, also a Sufjan Stevens song), nor did I celebrate Pi Day with a song about circles yesterday, but I thought that it would be fun to analyze Stevens's most ironic song of all, in which he states to his fans that he doesn't want to be their "Julius Caesar... [nor their] personal Jesus." The pairing of the two figures I found fascinating because in Dante's Inferno  we meet Judas (betrayer of Christ), and Brutus and Cassius (betrayers of Caesar) in the deepest layer of hell, tortured by Satan himself. Beware indeed the Ides of March. I DON'T WANT TO BE THE CENTER OF THE UNIVERSE. Just when we thought we firmly established Sufjan Stevens as a folk singer, perhaps an heir to Woody Guthrie or Gordan Lightfoot, he goes and makes an electronic album. While the singer-songwriter had incorporating synths into his folk sound prior