NewYearsDayProject | a song a day blog

Some listeners have criticized Anberlin albums for sounding the same. Many of the band’s albums, especially earlier releases, follow a formula. This formula is usually a hard rock opener, a radio-friendly chorus-driven song, back to hard rock, a mellow middle album, some rockers in the center, and a lengthy closing track. While the vestiges of the formula remain throughout their discography, they began to experiment more in their later career. Anberlin's 2012 record Vital was an update on the band’s mostly guitar-based sound as many of the songs were synth-driven. The band experimented more with Vital’ s repacked album, Devotion , delving deeper into hard rock and electronic pop. HIDE THE DEMONS THERE UNDER YOUR DRESS. Stephen Christian said on the Your Favorite Band Podcast that Anberlin repackaged Vital as Devotion, taking the commercial failure from Universal Republic Records to Big3 Records , hoping to push the opening track, “ Self-Starter ” to the radio. Devotion, unlik

On January 16, 2014, Anberlin posted a video on their social media platforms with a special message . The three-minute eighteen-second black and white video opened with a quote by Helen Keller; a droning guitar riff; and footage of a sideways camera playing a loop of a city from a car, an Anberlin concert, and footage from their “ Paperthin Hymn ” music video --all with a new emblem watermarking the footage. That new watermark was of fingers crossing. As the footage played, each member of Anberlin talked about their experiences in the band. A drumbeat joined the guitar and later a synthline. Then at 1:49 seconds into the video, the band gets to the point of the video: Anberlin is breaking up after releasing a new album and giving a final world tour. The video ends by reiterating the upcoming final album and final tour and with a Tooth & Nail Records copyright notice, inadvertently announcing that Anberlin had returned to their first record label to release their final album.  LO

  Anberlin had recorded their seventh studio album, Vital , with Aaron Sprinkle when they set out on an acoustic tour. The band known for their energetic live shows decided to create an intimate atmosphere, reinterpreting some of their classics, fan favorites, and deep cuts. Anberlin actually did two acoustic tours, one before Vital and one after the album’s release; however, the tour is only captured in a one-night performance in Williamsburg , later released as a bonus disc with Devotion , a massive repacking of Vital. The concert starts with an album cut , “ Take Me ” (As You Found Me), from Dark Is the Way, Light Is a Place , the album the band was still promoting.  YOU’RE HERE WITH ME. If there is an album that Anberlin would say is their peak sound, they would probably say it was Dark Is the Way, Light Is a Place. The band delves into their post-punk influences. From the album’s promotion-- the fashion chosen for the photoshoots, the talk of Dylan Thomas’ “ Poem on His Birthday

Today, we're listening to Tension by Anchor & Braille . Years ago, I wanted to hear Stephen Christian as a pop singer. I heard his vocal potential in the middle of Anberlin 's hardest rock. There were glimpses even on songs like " The Feel Good Drag ," showing that Christian wasn't just a baritone grunge singer. When Christian first released music under Anchor & Braille, the music was more acoustic indie on Felt , but started to gravitate to pop music. Anberlin, too, also released poppier music on albums like Vital . But 2016 saw Anchor & Braille releasing an electronic pop record in the vein of M83 and Washed Out  on Songs for the Late Night Drive Home .  1. " No Ordinary ."  Anchor & Braille's fourth record, Tension, continues Stephen Christian in the pop vein. The album's opener is a beautiful '80s/'90s-styled love song about not being able to sleep so enamored by the person that you love. 2. " Black Sea "

In early 2012 when  Anberlin  announced that they would be returning with an album produced by  Aaron Sprinkle , longtime fans knew that they were in for a good record. While their prior major label releases had stretched the band and had proven how versatile their sound was, the band had not produced an album that matched the lyrical and musical depth of their fan- favorite,   Cities . 2012's   Vital   took Anberlin to both familiar territory and reinvented their sound.   I CAN FINALLY FORGET A PAST YOU SAY YOU NEVER KNEW.  Vital  is a heavier album than their previous two. But, up to that point, the band did very little with electronic music.   Vital,  however, opened to the electro-heavy " Self-Starter ," complete with an autotune chorus, somewhat reminiscent of   Avenged Sevenfold 's " Lost ." In fact, many of the the tracks incorporated electronic elements. The band admits to consuming a lot of   M83   at that time.  Critics and fans both loved  Vital .