Anberlin always opens up their albums with brute force. Their fourth album was no exception. Released in 2009 just after the Bush presidency, Anberlin was always low-key political. I discovered Anberlin while going to Christian school in Western North Carolina. Growing up as a Seventh-day Adventist, I felt an extra urge to be branded as an Evangelical. Peer pressure's funny, isn't it. Anberlin was always a step ahead of the Evangelical movement, though. They were an early adopter of the saying "not a Christian band" but a "band with Christians in it." And Christian radio seemed to love it. Stephen also talked about how he didn't believe the Genesis Creation account, and he also spoke out against the Bush administration and the Iraq war. Fast-forward to 2008. I'm in my first year of Seventh-day Adventist college. I preordered this album from the band's merch table at Cornerstone. John McCain was running for president against Barak Obama. There was a conflict in the atmosphere--embrace hope and change while letting values slide or hold fast to the traditions and biblical values. This was the conflict I felt in every single class and with every single interaction. My Seventh-day Adventist college was way more diverse than my homogenous upbringing. Even in this microcosm in Eastern Tennessee, the world picked up more and more nuisance. And of course I was being challenged by the music of Anberlin and Switchfoot and started to listen to more and more secular music like Death Cab For Cutie and Franz Ferdinand. And yet, there was a nagging voice in the back of my head saying that I had to read the Bible in a certain way otherwise it was wrong. I'll leave the story there.
MUSICAL NOTES: This is an excellent album opener. We first hear crunchy guitars. Drums are added on the third bar and then a second guitar and the bass bring the intro to a climax and then adds the vocals. It's one of my go to protest songs whenever I'm angry about something personal or political. I wonder if Anberlin was vocal about the Christian acceptance for the Bush administration, what would they be saying now if they hadn't gone on hiatus in 2014.
WHY I CHOSE THIS SONG: Today Anberlin performed New Surrender for the first time in a livestream. The album received mixed reviews and not exactly loved by the band. Though disjointed, this album is still one of the albums that defined my life. I say that Cities is the finest album the band has ever made, and how can a band follow up their magnum opus? They must do something different. Cities was an album of darkness and gloom with a little hope to shine through. New Surrender was an album of embracing hope with a little bit of darkness keep us fighting for a better future. "The Resistance" reminds me that although America has chosen hope, there are still cages to unlock. There's still darkness to fight. Let's form the resistance.
"I~~~~~~~~~~~~~~~~~~~~I. Don't want a lot for Christmas." *struggles to change the radio dial amid gridlocked holiday traffic* "There's just one thing I need" *hurry up with my damn latte! I think I'm going to die. Why the hell is Starbucks playing Christmas music in mid-October?* "I don't care about the presents" *internal Elaine monologue 'I think I'm going to die in this department store. Ma'am, why must you spray the perfume so close to my face. I can't breathe! What if the earth begins to shake and we're stuck in here forever underneath mannequins and holiday shoppers and that damn Mariah Carey song stuck on repeat?'* "Underneath the Christmas tree" "No" *raising a strict finger to students who should be studying in the back* "Not before Thanksgiving." "I just want you for my own/ More than you could ever know." Every year, Christmas music gets earlier and earli...
In the summer of 2003, a rock station in LA started playing an inside cut from The Ataris ' So Long, Astoria , an album built on the late '70s and early '80s nostalgia. The band's first single, " In This Diary " reached number 11 on the Modern Rock chart. They were set to release the second single, " My Reply ," but the accidental hit " The Boys of Summer " overshadowed anything the band would produce in their twenty-five-year career. A cover of Don Henley 's 1984 number 1 hit, The Ataris' punk-rock reworking took the single to number 20 on the Hot 100 and number 2 on the Modern Rock chart, unable to beat Linkin Park 's " Faint ." Eighteen or thirty-seven summers later, "The Boys of Summer" remains a melancholy reminder that summer is over and that we all are getting older. I SAW A BLACK FLAG STICKER ON A CADILLAC. Written by Tom Petty and the Heartbreakers ' guitarist, Mike Campbell , ...
It was Superbowl Sunday of 2005 when I bought Anberlin ’s Never Take Friendship Personal . It was the perfect album for high school. The band’s style took a turn on their sophomore album from a classic or '90s rock sound to a more emotional, mid-2000s sound. The band would redefine themselves with this album, becoming a lesser-known emo staple. Stephen Christian ’s vocals meeting Joseph Milligan ’s riffs, Deon Rexroat ’s heavy bass, and Nathan Young ’s reliance on the cymbals make this one of the band’s heaviest records. The band released two recordings of this song on two different albums and many fans debate which one is better. THIS WAS OVER BEFORE IT EVER BEGAN. The original version of "The Feel Good Drag" feels grungier and Stephen’s scream on the bridge was perfectly aligned with the musical trends of the day. The New Surrender version , renamed "Feel Good Drag," beefs up t he guitar intro, and the solo has a quite satisfying bend. However, having ...
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