"Spiders" by Lovedrug, Monday, November 21, 2022 (repost)
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First appearing in 2001,Lovedrugreleased theireponymous EPin 2002 and theirRocknrollEP in 2004 before releasing their debut record,Pretend You're Alive, in June 2004. Selling over 20,000 records soon after the record was released, the band was signed toColumbia Records,and their song "Spiders" was intended to be marketed as a radio hit. But rock star grandeur was never really in Lovedrug's reach, as the label dropped the band in the middle of restructuring. Lovedrug was a hard-working band, touring with acts such asThe Killers,Robert Plant,Sam Phillips,Switchfoot, andCopeland. They would enjoy some success with their follow-up record,Everything Starts Where It Ends, but would continue making music until 2020, although they are probably best remembered for their first two records.
SEARCHING ON A WIRE FOR A WIRE. The Militia Group was a record label founded by former Tooth & Nail Records employee Chad Pearson. Pearson founded the label in 1998, and some artists in Tooth & Nail's sphere signed to The Militia Group. Pearson who grew up overseas in Papua New Guinea in a missionary family had discovered Christian rock through Tooth & Nail Records. Pearson curated a group of artists who were ambiguously faith-based or ambiguously agnostic. Lakes (Watashi Wa's Seth Roberts' band post-Eager Seas' failure on Tooth & Nail), Waking Ashland's Jonathan Jones' We Shot the Moon, and Denison Witmer all called The Militia Group their home along with groups like The Beautiful Mistake, Copeland, The Rocket Summer, Quietdrive, Rufio, The Summer Set, Acceptance, and their most successful act, Cartel. At one point, they almost signed Fall Out Boy. In this context, Lovedrug signed with The Militia Group. They toured with fellow Militia Group acts and played at Cornerstone, which led many fans to think that they were a faith-based band. However, in a 2011 interview with IndieVision, the interviewer is awkwardly shut down when guitarist Jeremy Gifford explains that the band is not Christian, though he doesn't claim to speak on behalf of everyone in the band's beliefs. In fact, Christian media, back in the late '00s were keen to include bands with any kind of faith into the fold. Jesusfreakhideout included Lovedrug's Everything Starts Where It Ends and Paramore's Riot!on their best of 2007 list.
CONNECTED TO THE OTHER END OF THIS TWISTED FREQUENCY I'VE SPUN.Joan Osborne asked the question "What If God Was One of Us?" Plumb tells us that "There's a God Shaped Hole in all of us." Both of these songs were on the Bruce Almightysoundtrack, a movie that was both praised and condemned by Christians for handling the lesson that no human could do a better job than God. Or Morgan Freeman for that matter. When an overtly religious song evokes God, there's a theological agenda. Sometimes a Christian band tries to be cool, singing about girls and nonsense for fourteen songs and tacks on a ballad about being lost without any direction until finding God. This track is either in the center of the album or attached to the end as sort of an epilogue to the album, either to be skipped or included to fulfill a contract. Sometimes, the band feels that this inclusion--no longer having to meet the j's per minute quota of the '90s--is the real purpose of the album. They would usually give a 15-minute speech toward the end of their set, saying something like, "You know guys, our band believes that you are here for a reason" or something like what Roma Downey said on every episode of Touched By an Angel. Using God in a song, though, whether by an evangelical band or by one that is agnostic immediately triggers a confirmation bias in listeners' minds. "But God doesn't it feel so good?" Paramore declares in their breakthrough hit "Misery Business." "I've found God," The Fray declares in "You Found Me." Hundreds of examples would make the band palatable to a Christian audience. When Michael Sheppard imagines "If God (or god) was on the radio," listeners at Cornerstone, at the Copeland tour, and at the Nothing Is Sound Tour with Switchfoot heard what they wanted to hear. God was on the radio, speaking to them, telling them exactly what they already knew. Funny how that happens.
Before " Shape of You ," Ed Sheeran was known primarily as a singer-songwriter. His albums + and X took clear influence from The Beatles , Carole King , Elton John , James Taylor , and the ballad writers of yesteryear. But he had a knack for throwing in a few rap bars along the way. With every record, Sheeran gained more acclaim. His sophomore record produced the mega Billboard #2 hit , " Thinking Out Loud ," which won two Grammys including Song of the Year. The final single from the album, " Photograph " was written in collaboration with Snow Patrol 's Johnny McDaid . Sheeran drew inspiration from his long distance relationship with singer/songwriter Nina Nesbitt (the featured musician on Kodaline ’s acoustic version of “Brand New Day” ). The two spent five months apart. They would eventually break up, but the song remains a gem on Sheeran's second best-selling record. LOVING CAN HURT . "Photograph" was the song that introduced m
When I was a Christian teenager, a book started circulating in my church youth group. Joshua Harris wrote about youth with wisdom and authority that seemed logical and categorical for every situation to the young women who read I Kissed Dating Goodbye . The book’s thesis argued that dating was a worldly alternative to the more purposeful Christian concept of courtship. Dating fueled erotic passions, which must be saved for a heterosexual marriage. Dating is casual, even preteens dates. Courtship was about vetting a marriage partner and would happen in the late teen years or early adulthood. YOU THINK I'M PRETTY WITHOUT ANY MAKEUP ON . Josh Harris’s I Kissed Dating Goodbye was part of a movement I’ve written about a lot: purity culture. How much this movement influenced young Katy Hudson, a pastor’s daughter in Southern California, touring with a slew of Christian rockers on the heels of her debut, self-titled album , I can only speculate what went through the 17-year-old star’s
I've talked about how Carrie & Lowell , Sufjan Steven 's 2015 masterpiece, is a quintessential portrait of dealing with grief and forgiveness when I wrote about the first two tracks, " Death with Dignity ," and " Should Have Known Better ." By the third track on the record, " All of Me Wants All of You ," explores grief in a different way from the previous two tracks. As with most songs on the album, "All of Me" appears to be deeply personal to the artist. But being personal doesn't stop this track's language from being the most obscured with allusions to geography and possibly an allegory from a little-known Spanish play. ALL OF ME THINKS LESS OF YOU. There's a debate on Lyrics Genius about the meaning of this song, especially surrounding the identity of the only other character mentioned by name in this song, Manelich. Is he the one the song is about? Stevens has written vaguely about homosexual attraction throughout
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