"Spiders" by Lovedrug, Thursday, November 21, 2024 (repost)
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First appearing in 2001,Lovedrugreleased theireponymous EPin 2002 and theirRocknrollEP in 2004 before releasing their debut record,Pretend You're Alive, in June 2004. Selling over 20,000 records soon after the record was released, the band was signed toColumbia Records,and their song "Spiders" was intended to be marketed as a radio hit. But rock star grandeur was never really in Lovedrug's reach, as the label dropped the band in the middle of restructuring. Lovedrug was a hard-working band, touring with acts such asThe Killers,Robert Plant,Sam Phillips,Switchfoot, andCopeland. They would enjoy some success with their follow-up record,Everything Starts Where It Ends, but would continue making music until 2020, although they are probably best remembered for their first two records.
SEARCHING ON A WIRE FOR A WIRE. The Militia Group was a record label founded by former Tooth & Nail Records employee Chad Pearson. Pearson founded the label in 1998, and some artists in Tooth & Nail's sphere signed to The Militia Group. Pearson who grew up overseas in Papua New Guinea in a missionary family had discovered Christian rock through Tooth & Nail Records. Pearson curated a group of artists who were ambiguously faith-based or ambiguously agnostic. Lakes (Watashi Wa's Seth Roberts' band post-Eager Seas' failure on Tooth & Nail), Waking Ashland's Jonathan Jones' We Shot the Moon, and Denison Witmer all called The Militia Group their home along with groups like The Beautiful Mistake, Copeland, The Rocket Summer, Quietdrive, Rufio, The Summer Set, Acceptance, and their most successful act, Cartel. At one point, they almost signed Fall Out Boy. In this context, Lovedrug signed with The Militia Group. They toured with fellow Militia Group acts and played at Cornerstone, which led many fans to think that they were a faith-based band. However, in a 2011 interview with IndieVision, the interviewer is awkwardly shut down when guitarist Jeremy Gifford explains that the band is not Christian, though he doesn't claim to speak on behalf of everyone in the band's beliefs. In fact, Christian media, back in the late '00s were keen to include bands with any kind of faith into the fold. Jesusfreakhideout included Lovedrug's Everything Starts Where It Ends and Paramore's Riot!on their best of 2007 list.
CONNECTED TO THE OTHER END OF THIS TWISTED FREQUENCY I'VE SPUN.Joan Osborne asked the question "What If God Was One of Us?" Plumb tells us that "There's a God Shaped Hole in all of us." Both of these songs were on the Bruce Almightysoundtrack, a movie that was both praised and condemned by Christians for handling the lesson that no human could do a better job than God. Or Morgan Freeman for that matter. When an overtly religious song evokes God, there's a theological agenda. Sometimes a Christian band tries to be cool, singing about girls and nonsense for fourteen songs and tacks on a ballad about being lost without any direction until finding God. This track is either in the center of the album or attached to the end as sort of an epilogue to the album, either to be skipped or included to fulfill a contract. Sometimes, the band feels that this inclusion--no longer having to meet the j's per minute quota of the '90s--is the real purpose of the album. They would usually give a 15-minute speech toward the end of their set, saying something like, "You know guys, our band believes that you are here for a reason" or something like what Roma Downey said on every episode of Touched By an Angel. Using God in a song, though, whether by an evangelical band or by one that is agnostic immediately triggers a confirmation bias in listeners' minds. "But God doesn't it feel so good?" Paramore declares in their breakthrough hit "Misery Business." "I've found God," The Fray declares in "You Found Me." Hundreds of examples would make the band palatable to a Christian audience. When Michael Sheppard imagines "If God (or god) was on the radio," listeners at Cornerstone, at the Copeland tour, and at the Nothing Is Sound Tour with Switchfoot heard what they wanted to hear. God was on the radio, speaking to them, telling them exactly what they already knew. Funny how that happens.
Spoken formed in 1996 and signed to CCM singer-songwriter Crystal Lewis 's Metro 1 label the following year. The band's early music was influenced by Rage Against the Machine and P.O.D., mostly consisting of rap-core and nu metal. After releasing three studio records and a greatest hits compilation through Metro 1, the band signed to Tooth & Nail Records in 2003 and released their fourth studio record, A Moment of Imperfect Clarity . A CHANCE TO CHANGE THE WORLD AS WE KNOW IT. Spoken's fourth record, A Moment of Imperfect Clarity developed the band's sound from a rap-rock, nu metal band to a melodic post-hardcore band. With the Tooth & Nail years during the explosion of the record label and the mass-marketability of Christian Rock, Spoken gained a greater audience. Also with the backing of the record company, the production on their Tooth & Nail albums increased significantly. On the first Tooth & Nail record for spoken, the band worked with Garth ...
East West was a Christian hard rock band that released two albums in the early 2000s. The most successful single from their debut album The Light in Guinevere's Garden was the guitar ballad " She Cries ," in which the band didn't scream the lyrics. East West's two releases are between two very important releases in Hard Christian Rock: P.O.D. 's Satellite and Underoath 's They're Only Chasing Safety . The band's follow up, Hope in Anguish was produced much better than TLiGG. The grungy sounds of slow songs and the gut-punching screams of the heavy songs met the drums, effects petals, and truly depressing lyrics--dealing with addiction, child abuse, and the music business. Four of the songs--three of the non-screaming tracks--made their way to Christian Rock radio. East West was a band that showed that they could write a hit and have a heavy album. I COULD NEVER REALLY FIND THE ANSWERS. Three years ...
TWS (pronounced two-us or in hangeul 투어스) debuted earlier this year on Pledis Entertainment , an independently-operated sub-label of Hybe Corporation . Today all successful K-pop group members promote their group on social media, but the concept of Pledis’s latest boy band was to release “boyhood pop,” or pop music that “captures the daily stories of boys.” Furthering this concept, the group uses the tagline: “twenty-four seven with us.” The group is well-marketed as the cool boyfriends of voyeuristic K-pop fans. With members ranging from 16 to 20, TWS serves as a fifth (or fifth?)-generation K-pop group, marketed to middle school and high school students, which can be seen in their highly-stylized music video “ Plot Twist .” The video features the group living in dormitory-style quarters and attending a co-educational high school. FIRST ENCOUNTERS ARE ALWAYS HARD. Lyrically, "Plot Twist" by TWS is about the awkwardness and nervousness of first encounters. The lyrics de...
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