There is little new under the sun when it comes to fashion. In the '00s, '90s fashion of flannels and winter bubble vests gave way to a '70s revival: Bell bottoms or flares, replaced the straight-leg Levis; bold colors replaced the subdued primary colors of the '90s; and gimmicky accessories like bandanas and hoop earrings made a bold statement. Some novelty fashion trends also came back, enter the mood ring. On Lorde's 2021 record Solar Power, the singer wistfully remembers relics of her childhood in the early '00s in the song "Mood Ring." Lyrically satirizing the disconnection of the modern world, the acoustic guitar producer Jack Antonoff plays throughout the song harken back to the early '00s pop music.
YOU CAN BURN THE SAGE, AND I'LL CLENSE THE CRYSTALS. Discussing the first single Lorde dropped fromher third album "Solar Power,"Switched on Popguest Hanif Abdurraqid argues that Lorde isn't a "singer-singer but rather a deliverer of language." Lorde's voice is low and "gravely." With average lyrics or melodies or mediocre vocal delivery, Lorde's voice would have never become the trend-setter that she has become. However, all of those factors are there with Jack Antonoff's co- production and instrumentation. Similarly, the songs on the record are only credited to Lorde and Antonoff and Grammy-winning producer/songwriter/engineer Malay on two tracks. Unlike many pop writers today, Lorde's imagery evokes specific, sometimes awkward images. The penultimate track, for example, "Mood Ring," interweaves lines about transcendental mediation and the early '00s. It reminds me of the New Age trends that were strong on daytime television and on the front covers of tabloids in the check out lines. The lyrics are heightened by Jack Antonoff's acoustic guitar that drives the song almost like Nelly's "Ride Wit Me," but the cheap-sounding electric guitar effect sounds like some of the lo-fi indie music produced in the early '00s and even found on some big budget pop records of the time. What's interesting about "Mood Rings" is that Antonoff holds back on the production. He and Lorde produce the track to be rhythmic, but Antonoff refrains from bringing out bigger beats to make the song radio-ready. Instead, we have a psychedelic pop track that is more vibe than bop or banger.
DON'T YOU THINK THE EARLY 2000S SEEM SO FAR AWAY? But speaking of the early '00s, I may be in a minority of Lorde listeners who simply see the title of the song and think about another song from 20 years ago. Lorde may have not been aware of Relient K's problematic 2003 track "Mood Rings," a satirical song in which the speaker plots "to get emotional girls to all wear mood rings [so that men] can be tipped off to when they're ticked off." The song was a fan favorite, and by their third record Two Lefts Don't Make a Right. . . But Three Do, the band's popularity was branching out of youth group. Lorde's "Mood Ring" deals with how a media-saturated society makes us apathetic to what should be a good life, more in touch with nature. Relient K's "Mood Rings," however, bypasses the issues of complex emotions, making a joke at the expense of the band's female fans. Last year, after being called out on TikTok, the band apologized for the song, saying "We had a lot of growing and learning to do, still do!” Of course, Relient K was not the only band to employ casual misogyny--pop-punk and other genres of the early '00s were rife with it. Lorde's track, though, captures a feeling of the early '00s--definitely not the Christian youth group feeling--but leaves the sexism out!
No matter how your Monday finds you, let's unwind with an album that meant a lot to me nearly ten years ago, the first spring I spent in Korea. I don't remember what first attracted me to Deas Vail 's third and eponymous album, but once I started listening, I couldn't stop. I also don't know much about where the band members are now, whether or not they remain in music in any capacity. What I do know is that Deas Vail captured a moment perfectly. 1. " Desire ." That being said, Deas Vail begins with my least favorite track. It's not a bad song, and it clearly has the guitar motifs and the husband-wife duet sounds which will be important elsewhere in the album. Lyrically, "Desire" isn't very interesting and it's skip-able. But that's my opinion. "Desire," does, though have the most streams of the album. 2. " Sixteen " begins the energy that is consistent in the rest of the album. Warm guitar tones bathe the ...
"I~~~~~~~~~~~~~~~~~~~~I. Don't want a lot for Christmas." *struggles to change the radio dial amid gridlocked holiday traffic* "There's just one thing I need" *hurry up with my damn latte! I think I'm going to die. Why the hell is Starbucks playing Christmas music in mid-October?* "I don't care about the presents" *internal Elaine monologue 'I think I'm going to die in this department store. Ma'am, why must you spray the perfume so close to my face. I can't breathe! What if the earth begins to shake and we're stuck in here forever underneath mannequins and holiday shoppers and that damn Mariah Carey song stuck on repeat?'* "Underneath the Christmas tree" "No" *raising a strict finger to students who should be studying in the back* "Not before Thanksgiving." "I just want you for my own/ More than you could ever know." Every year, Christmas music gets earlier and earli...
In the summer of 2003, a rock station in LA started playing an inside cut from The Ataris ' So Long, Astoria , an album built on the late '70s and early '80s nostalgia. The band's first single, " In This Diary " reached number 11 on the Modern Rock chart. They were set to release the second single, " My Reply ," but the accidental hit " The Boys of Summer " overshadowed anything the band would produce in their twenty-five-year career. A cover of Don Henley 's 1984 number 1 hit, The Ataris' punk-rock reworking took the single to number 20 on the Hot 100 and number 2 on the Modern Rock chart, unable to beat Linkin Park 's " Faint ." Eighteen or thirty-seven summers later, "The Boys of Summer" remains a melancholy reminder that summer is over and that we all are getting older. I SAW A BLACK FLAG STICKER ON A CADILLAC. Written by Tom Petty and the Heartbreakers ' guitarist, Mike Campbell , ...
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